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Members Preview – Edmund Clark: The Day the Music Died & Then They Came for Me

By International Center of Photography (other events)

Thursday, January 25 2018 7:00 PM 9:00 PM EDT
 
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Join us for the exclusive Members Preview of two new exhibitions opening soon at the ICP Museum.

Edmund Clark: The Day the Music Died explores new ways to visualize the structures of power and control in the global War on Terror, while Then They Came for Me: Incarceration of Japanese Americans during World War II examines a dark episode in US history when the lives of Japanese Americans were upended due to racial bigotry. Together, these two exhibitions cast light on the demise of civil liberties.

Thursday, January 25, 2018
7–9 PM

ICP Museum
250 Bowery, New York, NY

Space is limited! RSVP by Friday, January 19 to reserve your spot.

Exhibition on view January 26 through May 6, 2018

This invitation admits two and is not transferable. If you need assistance or have any questions, contact [email protected]. Please include “Members Preview” in the subject line to ensure a timely response.

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ICP’s presentation of Edmund Clark: The Day the Music Died has been made possible by the generous support of the ICP Exhibitions Committee; public funds from the New York City Department of Cultural Affairs in partnership with the City Council; and the Joseph and Joan Cullman Foundation for the Arts, Inc.

ICP’s presentation of Then They Came for Me: Incarceration of Japanese Americans during World War II has been made possible by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, The Robert Mapplethorpe Foundation, and the Joseph and Joan Cullman Foundation for the Arts, Inc.

Then They Came for Me was organized by Alphawood Exhibitions in collaboration with the Japanese American Service Committee and was made possible through the generosity of Alphawood Foundation Chicago.

Image: Edmund Clark, Redacted image of a complex of buildings where a pilot identified as having flown rendition flights lives, from the project Negative Publicity: Artefacts of Extraordinary Rendition, 2013, by Edmund Clark and Crofton Black

International Center of Photography

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